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Wish You Were Here is the ninth studio album by the English rock band Pink Floyd, released on 12 September 1975 through Harvest Records and Columbia Records, their first release for the latter. Based on material Pink Floyd composed while performing in Europe, Wish You Were Here was recorded over numerous sessions throughout 1975, at Abbey Road Studios in London.

The album encompasses a variety of themes, including criticism towards the music business, alienation, as well as a tribute to founding member Syd Barrett, who left seven years earlier due to his deteriorating mental health. Like their previous record, The Dark Side of the Moon (1973), Floyd used studio effects, synthesisers and brought in guest singers, including Roy Harper, who provided the lead vocals on 'Have a Cigar', and Venetta Fields, who added backing vocals to 'Shine On You Crazy Diamond'. To promote the album, the band released the double A-side single 'Have a Cigar' / 'Welcome to the Machine'.

Wish You Were Here received mixed reviews from critics upon its initial release, who found its music to be uninspiring and inferior to their previous work. It has retrospectively received critical acclaim, hailed as one of the greatest albums of all time, and was cited by keyboardist Richard Wright and guitarist David Gilmour as their favourite Pink Floyd album. The album reached number one in the US and UK, and Harvest's parent company, EMI, was unable to keep up with the demand. Since then, the record has sold an estimated 13 million copies.

• 3Recording
• 9Personnel

Background[edit]

During 1974, Pink Floyd sketched out three new compositions, 'Raving and Drooling', 'You Gotta Be Crazy' and 'Shine On You Crazy Diamond'.^{[nb 1][4]} These songs were performed during a series of concerts in France and England, the band's first tour since 1973's The Dark Side of the Moon. As Pink Floyd had never employed a publicist and kept themselves distant from the press, their relationship with the media began to sour. Mason said later that a critical NME review of the band's new material, written by Syd Barrett devotee Nick Kent, may have had influence in keeping the band together, as they returned to the studio in the first week of 1975.^[5]

Concept[edit]

Wish You Were Here is Floyd's second album with a conceptual theme written entirely by Roger Waters. It reflects his feeling that the camaraderie that had served the band was, by then, largely absent.^[6] The album begins with a long instrumental preamble and segues into the lyrics for 'Shine On You Crazy Diamond', a tribute to Syd Barrett, whose mental breakdown had forced him to leave the group seven years earlier.^[7] Barrett is fondly recalled with lines such as 'Remember when you were young, you shone like the sun' and 'You reached for the secret too soon, you cried for the moon'.^[8]

Wish You Were Here is also a critique of the music business. 'Shine On' crosses seamlessly into 'Welcome to the Machine', a song that begins with an opening door (described by Waters as a symbol of musical discovery and progress betrayed by a music industry more interested in greed and success) and ends with a party, the latter epitomising 'the lack of contact and real feelings between people'. Similarly, 'Have a Cigar' scorns record industry 'fat-cats' with the lyrics repeating a stream of cliches heard by rising newcomers in the industry, and including the question 'by the way, which one's Pink?' asked of the band on at least one occasion.^[9] The lyrics of the next song, 'Wish You Were Here', relate both to Barrett's condition and to the dichotomy of Waters' character, with greed and ambition battling with compassion and idealism.^[10] The album closes with a reprise of 'Shine On' and further instrumental excursions.

'I had some criticisms of Dark Side of the Moon…' noted David Gilmour. 'One or two of the vehicles carrying the ideas were not as strong as the ideas that they carried. I thought we should try and work harder on marrying the idea and the vehicle that carried it, so that they both had an equal magic… It's something I was personally pushing when we made Wish You Were Here.'^[11]

Recording[edit]

Alan Parsons, EMI staff engineer for Pink Floyd's previous studio album, The Dark Side of the Moon, had declined the band's offer to continue working with them. The group had worked with engineer Brian Humphries on More, recorded at Pye Studios,^[12] and again in 1974 when he replaced an inexperienced concert engineer.^[13] Humphries was therefore the natural choice to work on the band's new material, although being a stranger to EMI's Abbey Road set-up, he encountered some early difficulties. On one occasion, Humphries inadvertently spoiled the backing tracks for 'Shine On', a piece that Waters and drummer Nick Mason had spent many hours perfecting, with echo. The entire piece had to be re-recorded.^[9][14][15]

The sessions for Wish You Were Here at Abbey Road's Studio Three^[16] lasted from January until July 1975, recording on four days each week from 2:30 pm until very late in the evening.^[17] The group found it difficult at first to devise any new material, especially as the success of The Dark Side of the Moon Download pokemon white gba rom free. had left all four physically and emotionally drained. Keyboardist Richard Wright later described these sessions as 'falling within a difficult period', and Waters recalled them as 'torturous'.^[18] Mason found the process of multi-track recording drawn-out and tedious,^[19] while Gilmour was more interested in improving the band's existing material. Gilmour was also becoming increasingly frustrated with Mason, whose failing marriage had brought on a general malaise and sense of apathy, both of which interfered with his drumming.^[18]

It was a very difficult period I have to say. All your childhood dreams had been sort of realised and we had the biggest selling records in the world and all the things you got into it for. The girls and the money and the fame and all that stuff it was all .. everything had sort of come our way and you had to reassess what you were in it for thereafter, and it was a pretty confusing and sort of empty time for a while. —David Gilmour^[15]

Humphries gave his point of view regarding these struggled sessions in a 2014 interview: “There were days when we didn't do anything. I don't think they knew what they wanted to do. We had a dartboard and an air rifle and we'd play these word games, sit around, get drunk, go home and return the next day. That’s all we were doing until suddenly everything started falling into place.”^[17]

After several weeks, Waters began to visualise another concept.^[18] The three new compositions from 1974's tour were at least a starting point for a new album, and 'Shine On You Crazy Diamond' seemed a reasonable choice as a centrepiece for the new work. Mostly an instrumental twenty-minute-plus piece similar to 'Echoes', the opening four-note guitar phrase reminded Waters of the lingering ghost of former band-member Syd Barrett.^[20] Gilmour had composed the phrase entirely by accident, but was encouraged by Waters' positive response.^[21] Waters wanted to split 'Shine On You Crazy Diamond', and sandwich two new songs between its two halves. Gilmour disagreed, but was outvoted three to one.^[22] 'Welcome to the Machine' and 'Have a Cigar' were barely veiled attacks on the music business, their lyrics working neatly with 'Shine On' to provide an apt summary of the rise and fall of Barrett;^[23] 'Because I wanted to get as close as possible to what I felt .. that sort of indefinable, inevitable melancholy about the disappearance of Syd.'^[20] 'Raving and Drooling' and 'You Gotta Be Crazy' had no place in the new concept, and were set aside until the following album, 1977's Animals.^[6]

Syd Barrett's visit[edit]

On 5 June 1975, on the eve of Pink Floyd's second US tour that year, Gilmour married his first wife, Ginger.^{[nb 2]} That day, the band were completing the mix of 'Shine On You Crazy Diamond'^{[nb 3]} when an overweight man with shaven head and eyebrows entered, carrying a plastic bag. Waters did not recognise him.^[7] Gilmour presumed he was an EMI staff member.^[21] Wright presumed he was a friend of Waters, but realised it was Barrett.^[24] Mason also failed to recognise him and was 'horrified' when Gilmour identified him. In Mason's Pink Floyd memoir Inside Out, he recalled Barrett's conversation as 'desultory and not entirely sensible'.^[25]Storm Thorgerson reflected on Barrett's presence: 'Two or three people cried. He sat round and talked for a bit but he wasn't really there.'^[26]

Waters was reportedly reduced to tears by the sight of his former bandmate. When fellow visitor Andrew King asked how Barrett had gained so much weight, Barrett said he had a large refrigerator in his kitchen and had been eating lots of pork chops. He mentioned that he was ready to help with the recording, but while listening to the mix of 'Shine On', showed no signs of understanding its relevance to him. Barrett joined Gilmour's wedding reception in the EMI canteen, but left without saying goodbye. It was the last time the band members saw Barrett until his death in 2006.^[27] Barrett's appearance may have influenced the final version of 'Shine On You Crazy Diamond'; a subtle refrain performed by Wright from 'See Emily Play' is audible towards the end.^[25]

I'm very sad about Syd. Of course he was important and the band would never have fucking started without him because he was writing all the material. It couldn't have happened without him but on the other hand it couldn't have gone on with him. 'Shine On' is not really about Syd—he's just a symbol for all the extremes of absence some people have to indulge in because it's the only way they can cope with how fucking sad it is, modern life, to withdraw completely. I found that terribly sad. —Roger Waters^[28]

Instrumentation[edit]

As with The Dark Side of the Moon, the band used synthesizers such as the EMS VCS 3 (on 'Welcome to the Machine'), but softened with Gilmour's acoustic guitar, and percussion from Mason.^[9] The beginning of 'Shine On' contains remnants from a previous but incomplete studio recording by the band known as 'Household Objects'. Wine glasses had been filled with varying amounts of fluid, and recordings were made of a wet finger circling the edge of each glass. These recordings were multi-tracked into chords,^[6] and used in the opening of 'Shine On'.

Jazz violinist Stéphane Grappelli and classical violinist Yehudi Menuhin were performing in another studio in the building, and were invited to record a piece for the new album. Menuhin watched as Grappelli played on the song 'Wish You Were Here'; however, the band later decided his contribution was unsuitable and, until 2011, it was believed that the piece had been wiped.^[29][30] It turns out his playing was included on the album, but so low in the final mix that the band presumed it would be insulting to credit him.^[31] He was paid £300 for his contribution (equivalent to £2,500 in 2019).^[32][33]Dick Parry again played saxophone, on 'Shine On You Crazy Diamond'.^[34] The opening bars of 'Wish You Were Here' were recorded from Gilmour's car radio, with somebody turning the dial (the classical music heard is the finale of Tchaikovsky's Fourth Symphony).^[35]

Vocals[edit]

Recording sessions had twice been interrupted by US tours (one in April and the other in June 1975),^[36] and the final sessions, which occurred after the band's performance at Knebworth, proved particularly troublesome for Waters.^[22] He struggled to record the vocals for 'Have a Cigar', requiring several takes to perform an acceptable version. His problems stemmed in part from the stresses placed upon his voice while recording the lead vocals of 'Shine On You Crazy Diamond'. Gilmour was asked to sing in his place,^[29] but declined, and eventually colleague and friend Roy Harper was asked to stand in. Harper was recording his own album in another of Abbey Road's studios, and Gilmour had already performed some guitar licks for him. Waters later regretted the decision, believing he should have performed the song.^[37]The Blackberries recorded backing vocals for 'Shine On You Crazy Diamond'.^[34]

Touring[edit]

The band played much of Wish You Were Here on 5 July 1975 at the Knebworth music festival. Roy Harper, performing at the same event, on discovering that his stage costume was missing, proceeded to destroy one of Pink Floyd's vans, injuring himself in the process. This delayed the normal setup procedure of the band's sound system. As a pair of World War II Supermarine Spitfire had been booked to fly over the crowd during their entrance, the band were not able to delay their set. The result was that a power supply problem pushed Wright's keyboards completely out of tune, damaging the band's performance. At one point he left the stage, but the band were able to continue with a less sensitive keyboard, a piano and a simpler light show. Following a brief intermission, they returned to perform The Dark Side of the Moon, but critics displeased about being denied access backstage savaged the performance.^[38][39]

Packaging[edit]

Wish You Were Here was sold in one of the more elaborate packages to accompany a Pink Floyd album. Storm Thorgerson had accompanied the band on their 1974 tour and had given serious thought to the meaning of the lyrics, eventually deciding that the songs were, in general, concerned with 'unfulfilled presence', rather than Barrett's illness.^[40] This theme of absence was reflected in the ideas produced by his long hours spent brainstorming with the band. Thorgerson had noted that Roxy Music's Country Life was sold in an opaque green cellophane sleeve – censoring the cover image – and he copied the idea, concealing the artwork for Wish You Were Here in a black-coloured shrink-wrap (therefore making the album art 'absent'). The concept behind 'Welcome to the Machine' and 'Have a Cigar' suggested the use of a handshake (an often empty gesture), and George Hardie designed a sticker containing the album's logo of two mechanical hands engaged in a handshake, to be placed on the opaque sleeve (the mechanical handshake logo would also appear on the labels of the vinyl album this time in a black and blue background).^[41][42]

The album's cover images were photographed by Aubrey 'Po' Powell, Storm's partner at the design studio Hipgnosis, and inspired by the idea that people tend to conceal their true feelings, for fear of 'getting burned', and thus two businessmen were pictured shaking hands, one man on fire. 'Getting burned' was also a common phrase in the music industry, used often by artists denied royalty payments. Two stuntmen were used (Ronnie Rondell and Danny Rogers), one dressed in a fire-retardant suit covered by a business suit. His head was protected by a hood, underneath a wig. The photograph was taken at the Warner Bros. studios in Los Angeles.^[41][42] Initially the wind was blowing in the wrong direction, and the flames were forced into Rondell's face, burning his moustache. The two stuntmen changed positions, and the image was later reversed.^[43]

The album's back cover depicts a faceless 'Floyd salesman', in Thorgerson's words, 'selling his soul' in the desert (shot in the Yuma Desert in California again by Aubrey 'Po' Powell). The absence of wrists and ankles signifies his presence as an 'empty suit'. The inner sleeve shows a veil concealing a nude woman in a windswept Norfolk grove, and a splash-less diver at Mono Lake – titled Monosee (the German translation of Mono Lake) on the liner notes – in California (again emphasising the theme of absence).^[41][42] The decision to shroud the cover in black plastic was not popular with the band's US record company, Columbia Records, who insisted that it be changed (they were over-ruled). EMI were less concerned;^[43][44] the band were reportedly extremely happy with the end product, and when presented with a pre-production mockup, they accepted it with a spontaneous round of applause.^[41]

Release[edit]

The album was released on 12 September 1975 in the UK, and on the following day in the US.^[45] It was Pink Floyd's first album with Columbia Records, an affiliate of CBS; the band and their manager Steve O'Rourke had been dissatisfied with the efforts of EMI's US label Capitol Records.^[46] The band remained with EMI's Harvest Records in Europe.^[47]

In Britain, with 250,000 advance sales, the album went straight to number one, and demand was such that EMI informed retailers that only 50 percent of their orders would be fulfilled.^[48] With 900,000 advance orders (the largest for any Columbia release)^[49] it reached number one on the US Billboard chart in its second week. Wish You Were Here was Pink Floyd's fastest-selling album ever.^[48] The album was certified Silver and Gold (60,000 and 100,000 sales respectively) in the UK on 1 August 1975, and Gold in the US on 17 September 1975. It was certified six times platinum on 16 May 1997,^[50] and by 2004 had sold an estimated 13 million copies worldwide.^[42] 'Have a Cigar' was chosen by Columbia as their first single,^[9] with 'Welcome to the Machine' on the B-side in the US.^{[nb 4]} The album was a commercial hit in Europe, topping Dutch, English and Spanish charts - in Spain, the album remained at number one for 20 weeks.

Critical reception[edit]

On release, the album received mixed reviews. Ben Edmunds wrote in Rolling Stone that the band's 'lackadaisical demeanor' leaves the subject of Barrett 'unrealised; they give such a matter-of-fact reading of the goddamn thing that they might as well be singing about Roger Waters's brother-in-law getting a parking ticket.' Edmunds concluded the band is 'devoid' of the 'sincere passion for their 'art' that contemporary space rock acts purportedly have.^[60]Melody Maker's reviewer wrote: 'From whichever direction one approaches Wish You Were Here, it still sounds unconvincing in its ponderous sincerity and displays a critical lack of imagination in all departments.'^[45]

A positive review came from Robert Christgau in The Village Voice: 'The music is not only simple and attractive, with the synthesizer used mostly for texture and the guitar breaks for comment, but it actually achieves some of the symphonic dignity (and cross-referencing) that The Dark Side of the Moon simulated so ponderously.'^[61] Years later, he reflected further on the record: 'My favorite Pink Floyd album has always been Wish You Were Here, and you know why? It has soul, that's why – it's Roger Waters's lament for Syd, not my idea of a tragic hero but as long as he's Roger's that doesn't matter.'^[62]

Wish You Were Here has since been frequently regarded as one of the greatest albums. According to Acclaimed Music, it is the 185th-most ranked record on critics' all-time lists.^[63] In 2012, it was voted 211th on Rolling Stone magazine's list of the '500 Greatest Albums of All Time'.^[64] In 2015, it was chosen as the fourth-greatest progressive rock album by that magazine.^[1] In 1998, Q readers voted Wish You Were Here the 34th-greatest album of all time.^[65] In 2000, the same magazine placed it at number 43 in its list of the 100 Greatest British Albums Ever.^[66] In 2007, one of Germany's largest public radio stations, WDR 2, asked its listeners to vote for the 200 best albums of all time. Wish You Were Here was voted number one.^[67] In 2004, Wish You Were Here was ranked number 36 on Pitchfork Media's list of the Top 100 albums of the 1970s.^[68]IGN rated Wish You Were Here as the eighth-greatest classic rock album,^[69] and Ultimate Classic Rock placed Wish You Were Here second best in its list of 'Worst to Best Pink Floyd Albums'.^[70]

Despite the problems during production, the album remained Wright's favourite: 'It's an album I can listen to for pleasure, and there aren't many Floyd albums that I can.'^[7][71] Gilmour shares this view: 'I for one would have to say that it is my favourite album, the Wish You Were Here album. The end result of all that, whatever it was, definitely has left me an album I can live with very very happily. I like it very much.'^[15]

Reissues and remastering[edit]

Wish You Were Here has been remastered and re-released on several formats. In the UK and US the album was re-issued in quadraphonic using the SQ format in 1976,^{[nb 5]} and in 1980 a special Hi-Fi Today audiophile print was released in the UK.^{[nb 6]} It was released on CD in the US in 1983, and in the UK in 1985,^{[nb 7]} and again as a remastered CD with new artwork in 1994.^{[nb 8]} In the US, Columbia's CBS Mastersound label released a half-speed mastered audiophile LP in 1981,^{[nb 9]} and in 1994 Sony Mastersound released a 24-carat gold-plated CD, remastered using Super Bit Mapping, with the original artwork from the LP in both longbox and jewel case forms, the latter with a cardboard slipcover.^{[nb 10][42]} The album was included as part of the box set Shine On,^[72] and five years later Columbia Records released an updated remastered CD, 17 seconds longer than the EMI remasters from 1994, giving a running time of 44:28.^[42]

The label was a recreation of the original machine handshake logo, with a black and blue background.^{[nb 11]} The album was subsequently re-released in 2000 for its 25th anniversary, on the Capitol Records label in the US.^{[nb 12][42]} The album was re-released and remixed in 2011 in multiple editions as part of the Why Pink Floyd..? reissue campaign. The Wish You Were Here - Immersion Box Set includes the new stereo digital remaster (2011) by James Guthrie on CD, an unreleased 5.1 Surround Mix (2009) by James Guthrie on DVD and Blu-ray, a Quad Mix (which had been released only on vinyl LP and 8-track tape) on DVD, as well as the original stereo mix (1975) on DVD and Blu-ray.^{[nb 13]} This campaign also featured the 2011 stereo remaster on 180g heavyweight vinyl,^{[nb 14]} as well as the 2011 stereo remaster and the 5.1 surround sound mix (2009) as a hybrid Super Audio CD (SACD). In 2016, the 180g vinyl was re-released on the band's own Pink Floyd Records label this time remastered by James Guthrie, Joel Plante and Bernie Grundman.

Track listing[edit]

All lyrics written by Roger Waters.

Personnel[edit]

Charts[edit]

Certifications[edit]

References[edit]

Informational notes

1. ^The first two would later be renamed 'Sheep' and 'Dogs', and reappear on Animals.
2. ^There seems to be some confusion about the date that Barrett turned up, and Gilmour's wedding. Blake (2008) writes that Gilmour's wedding was on 7 July, the date also given by Ginger in 'The Pink Floyd FAQ', but that witnesses swore they saw Barrett at his reception at Abbey Road. Other authors claim that the reception and Barrett's visit were on 5 June.
3. ^Nick Mason has expressed doubt over this.^[16]
4. ^EMI Capitol 72438–58885^[51]
5. ^EMI Harvest Q4 SHVL 814 (UK), Columbia PCQ 33453 (US)
6. ^EMI Harvest SHVL 814
7. ^Columbia CK 33453 (US), EMI CDP 7460352 (UK)
8. ^EMI CD EMD 1062
9. ^Columbia HC 33453
10. ^Columbia CK 53753
11. ^Columbia CK 64405
12. ^Capitol 72438297502
13. ^Capitol 509990294352
14. ^Capitol 5099902988016

Citations

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97. ^'Austriancharts.at – Pink Floyd – Wish You Were Here' (in German). Hung Medien. Retrieved 9 June 2016.
98. ^'Ultratop.be – Pink Floyd – Wish You Were Here' (in Dutch). Hung Medien. Retrieved 9 June 2016.
99. ^'Ultratop.be – Pink Floyd – Wish You Were Here' (in French). Hung Medien. Retrieved 9 June 2016.
100. ^'Czech Albums – Top 100'. ČNS IFPI. Note: On the chart page, select 201139 on the field besides the word 'Zobrazit', and then click over the word to retrieve the correct chart data. Retrieved 17 June 2016.
101. ^'Pink Floyd: Wish You Were Here' (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved 22 June 2016.
102. ^'Les charts francais (12/11/2011)'. lescharts.com. Retrieved 9 June 2016.
103. ^'Offiziellecharts.de – Pink Floyd – Wish You Were Here' (in German). GfK Entertainment Charts. Retrieved 9 June 2016.
104. ^'Italian charts portal (17/11/2011)'. italiancharts.com. Retrieved 9 June 2016.
105. ^'New Zealand charts portal (14/11/2011)'. charts.org.nz. Retrieved 9 June 2016.
106. ^'Norwegian charts portal (45/2011)'. norwegiancharts.com. Retrieved 9 June 2016.
107. ^'Oficjalna lista sprzedaży :: OLiS - Official Retail Sales Chart'. OLiS. Polish Society of the Phonographic Industry. Retrieved 22 June 2016.
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110. ^'Swedish charts portal (11/11/2011)'. swedishcharts.com. Retrieved 9 June 2016.
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112. ^'Pink Floyd Artist Official Charts'. UK Albums Chart. Retrieved 9 June 2016.
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118. ^'Canadian album certifications – Pink Floyd – Wish You Were Here'. Music Canada. Retrieved 21 August 2012.
119. ^https://www.infodisc.fr/Ventes_Albums_Tout_Temps.php?debut=50
120. ^'French album certifications – Pink Floyd – Wish You Were Here' (in French). InfoDisc. Retrieved 21 August 2012.Select PINK FLOYD and click OK.
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122. ^'Italian album certifications – Pink Floyd – Wish You Were Here' (in Italian). Federazione Industria Musicale Italiana. Retrieved 2 November 2016. Select 'Tutti gli anni' in the 'Anno' drop-down menu. Select 'Wish You Were Here' in the 'Filtra' field. Select 'Album e Compilation' under 'Sezione'.
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124. ^'British album certifications – Pink Floyd – Wish You Were Here'. British Phonographic Industry. Retrieved 21 August 2012.Select albums in the Format field.Select Platinum in the Certification field.Type Wish You Were Here in the 'Search BPI Awards' field and then press Enter.
125. ^BPI Sales Awards Launch Automatic Certification, BPI
126. ^'American album certifications – Pink Floyd – Wish You Were Here'. Recording Industry Association of America. Retrieved 21 August 2012.If necessary, click Advanced, then click Format, then select Album, then click SEARCH.

Bibliography

• Blake, Mark (2008), Comfortably Numb—The Inside Story of Pink Floyd, Da Capo, ISBN0-306-81752-7
• Blake, Mark (2011), Pigs Might Fly-The Inside Story of Pink Floyd, Aurum Press, ISBN978-1-845-13748-9
• Di Perna, Alan (2002), Guitar World Presents Pink Floyd, Hal Leonard Corporation, ISBN0-634-03286-0
• Harris, John (2006), The Dark Side of the Moon (3 ed.), Harper Perennial, ISBN978-0-00-779090-6
• Mason, Nick (2005), Philip Dodd (ed.), Inside Out: A Personal History of Pink Floyd (Paperback ed.), Phoenix, ISBN0-7538-1906-6
• Povey, Glenn (2007), Echoes, Mind Head Publishing, ISBN0-9554624-0-1
• Schaffner, Nicholas (1991), Saucerful of Secrets (1 ed.), London: Sidgwick & Jackson, ISBN0-283-06127-8
• Watkinson, Mike; Anderson, Pete (2001), Crazy diamond: Syd Barrett & the dawn of Pink Floyd (Illustrated ed.), Omnibus Press, ISBN0-7119-8835-8

Further reading[edit]

• Reising, Russell (2005). Speak to Me. Ashgate Publishing. ISBN0-7546-4019-1.
• For a television documentary on the album, see The Story Of Wish You Were Here, Eagle Rock, 25 June 2012

External links[edit]

• Wish You Where Here at Discogs (list of releases)

Biography

The story of Pink Floyd began in London in 1965. The lineup comprised the London Polytechnic students Nick Mason, Roger Waters and Richard Wright. They were joined by Syd Barrett who came from Cambridge. The name of the band was proposed by Syd as a tribute to the American bluesmen Pink Anderson and Floyd Council. They started as an R&B outfit doing covers of The Rolling Stones. Influenced by Barrett’s ideas, Pink Floyd moved to the psychedelic sound with complex and long compositions. The band established their big ambitions with their very first single Arnold Layne. It was a story of a transvestite stealing women’s clothing. Although it was denied by the BBC, the single invaded Top 20 of the UK albums.

The debut full format release by Pink Floyd, called Piper At The Gates Of The Dawn, saw light in 1967 and immediately became a sensation featuring an absolutely innovational approach called ‘space music’. Numerous sonic effects along with specific depressive guitar solos rendered brilliantly the inner state of a person in the surroundings of the modern world. Barrett’s apocalyptic lyrics and music were both the product of his genius and result of heavy drug intake. The massive tours and packed studio activity exhausted him mentally and physically which led to an idea of keeping him focused on songwriting apart from stage performances. It was meant to replace Barrett during the concerts with his old friend David Gilmour. However, Barrett refused this alternative and left the band. He started his own career, but did not achieve much.

Despite the new reality without the established leader, Pink Floyd remained full of energy and creative ideas and released the subsequent album, A Saucerful Of Secrets, in 1968. It included only one song by Barret. This released was followed by the production of the soundtrack to the movie More and the double CD album Ummagumma in 1969. The first part of this record featured the band’s live performances, while the second one contained solo compositions written separately by each member of Pink Floyd. The early seventies became the new period in the Pink Floyd history. The 1970 album Atom Heart Mother was recorded in cooperation with the avant-garde composer Ron Geesin. In 1973 Pink Floyd finished the quest for the sought sound after the release of the iconic Dark Side Of The Moon. This one sold out over twenty five million copies and gave the model to follow on the next albums. The same formula of music was utilized for Wish You Were Here (1975), Animals (1977) and The Wall. The latter became one of the most outstanding specimens of rock genre to influence multitudes of performers. This rock opera was devoted to the subject of loneliness and separation of performers from their audience with the wall being its main symbol.

In 1979, Richard Write quit Pink Floyd due to bitter differences with Waters. In 1982, the band shot the movie The Wall with the music taken from the same titled album. The 1983 record The Final Cut earned little attention with only one remarkable song, Not Now John. The failure pushed Waters to start a solo career, an example followed by Gilmour and Mason. However, they did not succeed as separate artists, which motivated Mason and Gilmour to resurrect Pink Floyd in 1987. Despite the protests and claims from Waters, they managed to preserve the band’s title. Richard Write came back to the group shortly after that. Immediately after the reunion, Pink Floyd recorded A Momentary Lapse Of Reason (1987). It was supported by a long tour giving the material for the live album Delicate Sound Of Thunder (1988). After a prolonged pause, the band released The Division Bell (1994). The material of the new disc reminded little of the Pink Floyd old works and much of Gilmour’s solo albums. In 2005 Waters once performed with Pink Floyd in London which was mistakenly taken by many fans as a sign of his long expected re-joining with the band.

Studio Albums

EP

Compilation albums

Lives

Wish You Were Here Full Album Torrent