1. Dennis Wilson Pacific Ocean Blues
2. Carl Wilson
3. Dennis Wilson Pacific Blue

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On August 22nd, 1977, Dennis Wilson released his first solo album, entitled Pacific Ocean Blue. The first ever solo Beach Boys record, the album peaked at #96 on the US charts, surpassing the Beach Boys' recently-released MIU Album, which only reached #151 in the US. Quite the achievement for Dennis, I'd say! The album has since gone on to receive unanimous praise by critics and Beach Boys fans alike, with special reservation held for Dennis' extraordinary amount of emotion and soul poured into the record. Although the album didn't commercially perform all that well, Dennis immediately set his sights on recording a follow-up to Pacific Ocean Blue, entitled Bambu. Sessions for the new album began in late-September of 1977, and would last up until June 3rd with a session for the track 'All Alone'. After that, the album was dead. Dennis simply lost his desire to continue recording, as his serious alcohol problem began to worsen more and more. Bambu would remain unreleased until 2008, when the bulk of Dennis' solo material was released as part of the Pacific Ocean Blue Legacy Edition 30th Anniversary 2-disc set. However, the Bambu material was never properly assembled into an actual album, which is where this blog post comes in. Let's take a look at my version of Bambu!
As always, we have to look at what material we have available to use. Overall, there are a total of about 20 songs to consider for this album. The tracks for consideration are 'Tug of Love', 'Only With You', 'Holy Man', 'Mexico', 'Under the Moonlight', 'It's Not Too Late', 'School Girl', 'Love Remember Me', 'Love Surrounds Me', 'Baby Blue Eyes', 'Wild Situation', 'Common', 'Are You Real', 'He's a Bum', 'Cocktails', 'I Love You', 'Constant Companion', 'Time for Bed', 'Album Tag Song', and 'All Alone'. Now we look look at each individual track and decide which would be best for the album. 'Tug of Love' is very pretty, but I'm already using it for my alternate version of Pacific Ocean Blue. 'Only With You' was already recorded earlier in 1972 for the Beach Boys' Holland album, and I wish to retain a sense of originality with this album. 'Love Surrounds Me' and 'Baby Blue Eyes' are also fantastic tracks, but eventually wound up on the Beach Boys' LA (Light Album). 'Common' exists only as an instrumental track, and was eventually reworked into the track 'Morning Christmas'. Earlier when I put this album together for youtube, I included 'Common' as the third song on Side B, but I have since replaced it with a different track. 'Album Tag Song', apart from having no real title, also exists mostly as an instrumental track, as opposed to a sung bridge section. So let's see how it turned out, shall we?
Side A kicks off with the reggae-spiced 'Constant Companion'. It's ironic really, Dennis was singing about how he would always love his significant other and whatnot, but it didn't seem as though he could hold any relationship down for more than a few years or so! Not to bash the man, it's just an observation really. My version of this track splices in part of the demo recording of this track, which features wild percussion beats and rhythms, into the final ending note. I think it sounds really cool to end the track this way! After that comes the raunchy 'Under the Moonlight'. I originally had this track open up the album, but while putting the tracks together for this blog post, I just felt like 'Constant Companion' was the better album-opener. Such an awesome-sounding song, it's got a very southern rock sound to it IMO. The dirty rocker 'He's a Bum' follows. I like how with these sessions, Dennis was free to produce and record whatever he wanted without having any of the other Beach Boys reject his work. Imagine if he tried to submit this song to the group, they would've immediately rejected it after hearing the line 'he likes to do it on his hands and knees'. A very solid song overall, the choir group adds a nice touch! Following is the emotionally draining 'Cocktails'. I'll definitely take Dennis singing in Spanish over Mike singing in French or Japanese ANY DAY! But yeah, Dennis sings the song with so much raw, powerful emotion; I guess that's the overall theme of the album: raw, powerful emotion! Although Dennis had permanently damaged his voice by this time, the deep roughness helped add a certain quality to his singing capabilities. Although I would've preferred he kept his pre-1973 voice, there really is no comparison between the two voices actually! The track immediately segues into the penultimate track of Side A, the beautiful instrumental 'Mexico'. Although I don't know whether or not vocals were ever actually intended for the track, I think it works perfectly fine as an instrumental. It really has such a drop-dead beautiful melody to it. It's like something you'd hear in an old Western-themed movie, where the main hero would be riding out to the sunset in the Mexican desert. Just beautiful. Side A closes with the climactic 'Are You Real'. Starting off quiet and slow, the track quickly builds up into a frenzy, featuring crashing drums, blazing guitars, and climactic orchestral sections. All of this comes to an abrupt stop, bringing the first side to a quick and quiet end. It's quite a lot like the Beatles' 'I Want You (She's So Heavy)', the abrupt stop really adds a lot to the quality of the song. Anyways, a great end to the first side.
Side B begins with the soft rocker 'I Love You'. I couldn't think of a better side opener than this one. After the blazing crazy finale of 'Are You Real', it's nice to have this slower, quieter track to calm you back down. I love the backward's vocal sections sung by the group choruses, it adds a really unique and different flavor to the track. The track closes quite abruptly with another backwards vocal section, before segueing into the next track, the raunchy 'Time for Bed'. If you thought 'He's a Bum' was too controversial for the Beach Boys, then wait till you hear this one! I particularly like the line 'My needle's kinda dirty so I thought I'd mix myself another drink, what kind of rush is this', with the honorable mention of the lines 'Marijuana, beer and wine are for me. Don't care about my mama and my Dad.I think I'd love to steal a car and cruise around, run over one fat, ugly, just for kicks'. Yup, I wonder what Mike would've thought about that one! The instrumental track was originally recorded as 'New Orleans', but the lyrics were rewritten and the track was renamed to 'Time for Bed'. The instrumental backing track to 'New Orleans', as well as a re-recording of 'Fallin' in Love' (retitled to 'Flowers Come in the Spring'), and an instrumental backing track to Dennis' earlier composition 'San Miguel' are the only material from the Bambu sessions that have yet to receive an official release (although both circulate quite commonly on bootlegs). Overall, the track is really damn cool sounding, it's got this great, funky feel to it. Feels like it came straight out of New Orleans! The soothing, yet powerful 'It's Not Too Late' follows. This track features some extraordinary vocals performed by Carl, especially that last, soulful falsetto cry at the end of the song. So beautiful, this would've made a lovely addition to L.A. (Light Album) as opposed to the atrocious 'Here Comes the Night'. But hey, what can you do but wonder what could've been! Then comes the very depressing and tragic-sounding 'All Alone'. The last ever session for Bambu, which occurred on June 3rd, 1979, was for a re-recording of this track. Oh why couldn't they have decided to put the track on Keepin' the Summer Alive? It could've made the album somewhat desirable for fans! Interestingly enough, the track is included on the Beach Boys' 1998 Endless Harmony soundtrack. So I guess the track is now considered a Beach Boys track by Capitol? I don't know, bottom line is, the song is absolutely fantastic. The penultimate song, 'Holy Man', is unique in the fact that it is the only track here not sung by Dennis at all. This track is sung by Foo Fighter's member Taylor Hawkins, who recorded his lead in 2008 for the Pacific Ocean Blue Legacy Edition compilation album. Dennis apparently recorded a lead vocal attempt back in the mid-70's, but was unsatisfied with his take, and promptly erased his lead. Dammit. It would've been phenomenal to hear Dennis sing a song as breathtaking as this one, but we'll make due with the best we've got, and the best we've got is Taylor's version. The original instrumental backing track is included on the box set as well, but unlike 'Mexico', I feel like the track only sounds it's best when paired with vocals. Work on the track began back on June 24th, 1974, I wonder how 15 Big Ones would be received today if this song was included on it! A truly marvelous song, one that continues to show off the immense talent Dennis had in him. The album closes with, in my opinion, one of the best songs Dennis ever did, entitled 'Love Remember Me'. The song starts off very calmly, featuring piano, acoustic guitars, and a bass harmonica. The song quickly builds up with gospel choirs, electric guitars, flutes, and orchestral arrangements, culminating into a soul-crushingly beautiful coda. If I had to choose one musical moment to best represent Dennis, it would have to be the last two minutes of 'Love Remember Me'. Beautiful, complex, and different, all words that can be used to describe this song, as well as Dennis himself. Dennis and longtime collaborator Stephen Kalinich really had something special here. It's a true travesty that this song, alongside '(Wouldn't it Be Nice) To Live Again' had to wait so damn long to see an official release. Dennis died without knowing that these two songs would someday be cherished and loved by so so many fans. That right there is a huge tragedy. I like to think that wherever Dennis is now, he finally knows that he really is loved.

In my opinion, Bambu, alongside SMiLE and Adult/Child, form a holy trifecta of the three greatest unreleased albums (n)ever made. It's hard to really imagine what the world of music would be like today if these three records had actually been released. Maybe they would've changed the music scene forever, or maybe they wouldn't have made a dent in the charts. If the latter is the case for these three, then maybe it's better that they were left unreleased, in order for their now-legendary statuses to build over the years. In the case of Dennis' Bambu, it really is tragic to see how the music suffered as a result of Dennis' worsening problems. By the early '80s, there was no way he could have been saved. In December of 1983, Dennis checked into rehab, but left after a day or so. A few weeks later, he would be gone.

Side A:
1. Constant Companion (Carli Muñoz/Rags Baker)

Dennis Wilson Pacific Ocean Blues

2. Under the Moonlight (Carli Muñoz)
3. He's a Bum (Dennis Wilson/Gregg Jakobson)
4. Cocktails (Dennis Wilson/Gregg Jakobson/John Hanlon)
5. Mexico (Dennis Wilson)
6. Are You Real (Dennis Wilson/Gregg Jakobson)

Side B:
1. I Love You (Dennis Wilson/Gregg Jakobson)

Carl Wilson

2. Time for Bed (Dennis Wilson/Gregg Jakobson)
3. It's Not Too Late (Carli Muñoz)

Dennis Wilson Pacific Blue

4. All Alone (Carli Muñoz)
5. Holy Man (Dennis Wilson/Gregg Jakobson)
6. Love Remember Me (Dennis Wilson/Gregg Jakobson/Stephen Kalinich)
Enjoy!
'They say I live a fast life. Maybe I just like a fast life. I wouldn't give it up for anything in the world. It won't last forever either. But the memories will.'